All The Lonely People ... what do you do when your life begins to disappear one piece at a time? Chase Hanford isn't sure, but he knows he has to fight to save his life, his soul, and his sanity.
Through Shattered Glass ... David B. Silva's first short story collection, takes readers on an imaginative journey through the lives of seventeen ordinary people struggling with extraordinary events in their lives.
The Many ... Kiel Reed is beginning to suspect there's something wrong with his eleven-year-old brother, Justin. He's not himself. In fact, deeply haunted by his past, Justin has turned to The Many for help.

Archive for Robert Swartwood

Mar
10

Through the Guts of a Beggar

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I recently found myself in a conversation with Robert Swartwood about a story he had written for Tooth and Claw, a pulpy monster horror anthology edited by J. F. Gonzalez and Garrett Peck. The response to the anthology was greater than the editors had at first anticipated, and so they decided to split the anthology into two volumes. Robert’s story, “Through the Guts of a Beggar” got bounced to the second volume. Unfortunately, the publisher folded before the second volume was released.

Somewhere in the course of the discussion, I realized that I had a story that was supposed to appear in that second volume as well. I couldn’t recall the title, but Robert found it on the Internet … “New to the Neighborhood.”

Robert was releasing “Through the Guts of a Beggar” as an ebook, with two bonus short stories and an alternate ending. We thought it might be cool if “New to the Neighborhood” could also be included. So that’s what Robert put together.

For a limited time, until April 1st, readers can pick up a copy of the Kindle ebook edition for only 99 cents. This includes Robert’s novelette, plus the alternate ending, his two short stories and my short story, “New to the Neighborhood.”

If this sounds like a package at a price you can’t beat, you can order directly from Amazon here: Through The Guts of a Beggar

Categories : News
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Sep
09

Breakfast With Robert Swartwood

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I got together with Robert Swartwood a couple weeks back. In person. Something I rarely do. But Rob is a persistent young man. I wasn’t sure I was going to be in town and told him so, but he kept after me and made it happen.

We had breakfast at Treasure Island on the Strip. Rob’s treat. Very generous of him.

I don’t often have the opportunity to socialize with other writers. There’s a part of me that’s quite comfortable as a relative recluse, and another part that just doesn’t have much interest in conventions and the sort. So I rarely go looking for a chance to get together with another writer. After meeting with Rob, however, I think that’ll be my regret.

It was great hearing him talk about the projects he’s working on, hearing the enthusiasm in his voice. He has the spirit of a writer. I’d almost forgotten what it was like to be at a convention filled with writers, some old and wise and full of incredible experiences to share, some young and learning and still open to listening, all proud of their chosen profession.

Rob reminded me of all that.

He’s facing the same questions many young writers are today. How to build a career? Can he support his family as a writer? What’s the best way to deal with the changing face of publishing? Does he need to learn to market his work on top of writing it? Should he write to the marketplace or write what he enjoys writing? Is it a mistake to write in different genres or should he focus on a single genre?

There are no guarantees when you decide to be a writer. No regular paychecks. No way to know if anyone will like what you write. No assurances you’ll ever be published.

Everything’s a roll of the dice.

Most writers I know write because there’s a burning need to put their stories on paper. It’s not the potential fame. It’s not the potential money. It’s the stories. Everything else is gravy. That’s probably as much as we can ask as writers … the means to keep writing. And when we achieve those means, we need to remember how fortunate we are.

Rob reminded me of my good fortune.

He reminded me how exciting it was when a publisher wants to take on your work, or when you land a short story in an anthology filled with talented writers. He reminded me what it’s like to hold your first book in your hands, or to receive a letter from a reader that says that something you wrote made a difference.

I am a very fortunate man.

And I’m grateful Rob was willing to keep after me to meet.

Because I had forgotten how fortunate I was, and I needed to be reminded.

Never take anything for granted.

Categories : The Writing Life
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Aug
06

Hint Fiction

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I’m just learning about Hint Fiction. It’s a term coined by Robert Swartwood, who defines it as: very, very, very, short tales where the reader is given just a hint of the story. Not a scene, or a setting, or even a character sketch. They are given a hint, nothing more, and are asked — nay, forced — to fill in the blanks.

We’re talking about twenty-five words max here.

Swartwood adds, “One of the biggest hints in Hint Fiction is the title. It’s like the setup to a joke, and the story is the punch line. Without the one, the other won’t work.”

So I’ve been toying around with a few, just for fun, filling in a free moment here and there. Here are some examples of what I came up with:

A Woman Scorned
After seven years of marriage it had become a love-hate relationship. And when he cheated on her, she found the hate impossible to control.

The Visitors
Light poured through the bedroom window, waking her. Not a flashlight. Not a passing headlight. A light that flooded the room. They were back.

Fright Night
Norris was exhausted when he fell asleep. When he woke, his hair was milky white, his eyes wide, his mouth frozen in a scream.

These are fun to do, though I don’t intend to waste too much time with them. I do think they provide an interesting way of generating story ideas. It’s a bit like doodling … every once in awhile you turn up a real gem.

Categories : Short Stories
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The Night In Fog ... Brian's brother, Rick, is obsessed with Jude Fairclough. He beleives the girl is dangerous, even evil, and he wants to show Brian just how evil. But is Rick onto something? Or is it just a delusional mind at work?
Slipping ... Raymond Hewitt understands how fast the world is today, and why it's important to quick cut the movie trailer he's working on and the ads. What he doesn't understand is that time is catching up with him.
Dry Whiskey ... With blood on the pickup bumper, Will's father thinks he might have hit something after leaving the bar. When they hear Joey Eagan was killed in a hit and run, Will's old man gives up drinking. But drying out can take a toll.